Are you looking for the best headphones under $300? A right pair of headphones can be your best buddy. In this price range, you can buy brilliant headphones that offer perfect sound quality, supreme solace, and furthermore will last for a time after a single charge.
Over-ear headphones could likewise be a superior alternative for your ear health than in-ear headphones models, putting more distance between those loud tracks and your eardrums. With regard to sound performance, it’s difficult to beat the best over-ear headphones. That is because the best over-ear headphones you can purchase right now have the biggest drivers and come in both open and closed-back varieties.
A decent pair of over-ear headphones doesn’t mean you have to forfeit on style. Sure they will be a lot bigger than different models, however, there are wireless choices to browse from, like the Philips PH805, the Sony WH-1000XM3, the Bowers and Wilkins PX7, and the Sennheiser PXC 550-II.
Remember that not all headphones are made equivalent. Some are best utilized in a professional setting. Others are increasingly reasonable for regular casual use. Before going for one of the products listed beneath, ensure that it’s impeccably in accordance with your requirements. To find out which are the best headphones under $300, keep on reading.
1. Bose QuietComfort 25
King of All
Design Type: Over-Ear | Frequency Response: N/A | Connection: 3.5mm stereo | Battery Life: 35 hours on a single AAA Battery
Last Update on 2020-07-25 using Amazon Product Advertising API
We’ve had the Bose QC35 II, the Bose Noise Cancelling Headphones 700, and the class-leading Sony WH-1000XM3 come onto the scene since the launching of Bose QuietComfort 25, however, the QC25s are still among the best noise-canceling headphones. The Bose QuietComfort 25 are active noise-cancellation headphones. Not only they are magnificent at eradicating the low-register noise, yet they additionally cut out the frequencies that will in general trample on your music, often resulting in increasing the volume to contend.
The headphones lay in a sporty posture which is packed into a leather zip-up carrying case. Similar in overall looks to the QC15 headphones from years prior, the design of the QC25 offers numerous subtle upgrades upon its predecessor.
Bose has refreshed the headband materials with cotton and felt combo that is less prone to getting warm and dampened from constant use. Every headphone houses unique features making it simple to recognize which ear it ought to be on after some practice. The left cup has an axillary port, the purpose of contact for the included three-foot 3.5mm cable with inline controls. When you need to stop music, modify volume, or ask Siri a question, it’s on your left side. The right cup houses the noise-cancellation switch, so in case you’re irritated by the outside world, your controls are on the right.
On the drawback, there is no Bluetooth functionality here which might be a problem for some clients. The only connectivity alternative is the included cable, which incorporates a mic/remote.
The Bose QuietComfort 25 doesn’t utilize a rechargeable battery but instead selects to use a single AAA battery to power the active noise cancellation. Bose asserts up to 35 hours of battery life on a single AAA battery, which isn’t that bad. The sound designed in the Bose QuietComfort 25 is ideal. The lows, mids, and highs are very clear, never stepping over each other. Different types of music, sound predictably incredible with this.
Overall, the Bose QuietComfort 25 brings out only the best in my media. They are an exceptional bit of innovation in that they convey an awesome first impression, but offer it during every single use, over and over again.
2. Sony MDR-7506
Design Type: Over-Ear | Frequency Response: 10Hz – 20 kHz | Connection: 3.5mm stereo | Battery Life: N/A
Last Update on 2020-07-11 using Amazon Product Advertising API
The Sony MDR-7506 is an incredibly sensitive, closed, isolating headphone that is great for traveling and monitoring professional field recordings particularly DSLR video. The MDR-7506 has been the world’s most famous professional headphone for a long time, and it’s only a slight cosmetic variation from the past Sony MDR-V6.
Discussing the build quality, these headphones are made almost entirely of plastic. This is incredible because it implies they’re lightweight and don’t burden you while hefting them around. The headphones don’t have any sort of plush memory foam padding yet they’re still adequately agreeable for getting the job done. Weighing just 8.1 ounces (229.6 grams), these foldable headphones lay delicately on the head with just a tiny bit of pressure on the ear pads.
MDR-7506 isn’t Bluetooth. These are a classic pair of cans that end in a gold-plated 3.5mm connector with stringing on it to attach the included ¼” adapter for when you have to plug into something somewhat more considerable than a cell phone. The cable is non-detachable. The cable measures around 6 feet (1.8 meters) coiled and 9.8 feet (3 meters) stretched out. This is extraordinary for desktop use or in recording studios.
Presently, these do have an impedance of 63ohm, so any more fragile cell phones may require a bit of a lift to power them. The sound quality is noteworthy. These headphones have an incredible bass and an amazing mid-range execution, with their great sound leakage handling, ensuring your preference for music will remain private. It has a 40mm driver with a frequency response from 10Hz – 20 kHz.
On the contrary, these headphones are not incredible at keeping commotion out, however, their huge ear cups may propose something else. So they won’t make for good headphones for commuting. Overall, they have a nice soundstage, for closed-back headphones, and their sound quality is adequate to satisfy the most audiences.
The matte ivory HD-599 Open-Back Around-Ear Headphones from Sennheiser is a replacement to the famous HD 500 series that is powered by Sennheiser’s proprietary transducer technology including the “Ergonomic acoustic refinement” (E.A.R.) design. It channels the sound signal straightforwardly into your ears. They can be utilized to convey very good quality sound performance and offer outstanding wearing solace because of the huge earcups, expansive padded headband, and delicate replaceable earpad.
The satin-textured earcups are overly comfortable, helped by the open-back nature of the headphones. Sennheiser has gone with off-white “cream” kind of shading with brown accents on the headband and earcups. The grills are as yet the standard black and silver, and the detachable cord is simply black rubber. That may not be a bad thing for some viewers.
With a frequency response of 12 to 38.5 kHz, these headphones offer firm sound. There is no weight on your ears, only sound. They incorporate a 9.8′ cable with a 1/4″ plug, a 3.9′ cable with a 1/8″ straight plug, and a 1/4″ to 1/8″ headphone adapter.
The HD 599 packs an amazing frequency range with abundant highs and lows. The impedance, remaining moderately low, easily recommends this headphone to mobile listeners, however, it might profit by slight amplification. Sound pressure and harmonic distortion are about as to be expected for the cost, and the sound ought to be both clean and of adequate volume
The low end on the HD 599 is strong. The detail is good, however, the quality of the low end appears to overpower the mids in certain tracks. Bass effect is perfect and exact, with no noticeable bleed. Overall, with a rich, unique sound that conveys, the Sennheiser HD 599 is an amazing piece of engineering. In spite of the slight pressure in the upper mids and the simply alright soundstage, these headphones are still an easy decision for any rock or hip hop fan.
The main drawback is that they leak a lot, they don’t hinder any commotion in boisterous situations. In conclusion, they are a blend of a precision audio engineer and the most loved tool of a music lover to show the excellence of music.
The V-Moda Crossfade M-100 Master headphones are the main V-Moda headphones that Roland engineers have tuned since Roland procured a dominant part stake in V-Moda in 2016. The final product? These are the best sounding pair of headphones V-Moda has ever delivered.
In case you’re an audiophile or recording engineer who has respected V-Moda’s build quality and customization alternatives, but you’ve been lukewarm about their audio, the M-100 Master will change your perspective. The Crossfade M-100 Master are the replacements to the original Crossfade M-100 headphones.
When you will unpack them, you will truly observe and feel V-Moda’s incredible build quality. The click-adjustable arms, for instance, are all metal. The underside of the headband and the earpads are enveloped by delicate leather. The leather on the earpads is folded around soft memory foam. The assembly and fit and finish are top-notch. That quality makes a comfortable listening experience. These headphones fit your head impeccably.
Numerous headphones have their cable input on either the right or left earcup. V-Moda gives you the choice of utilizing either. Look under the right-hand earcup and you’ll locate a removable plug. Remove it, unplug the cable from the left-hand earcup, and you can place the 3.5mm cable end into the opposite side. Battery life is 12 hours which is good.
Now to answer the million-dollar question which is how the V-Moda M-100 Master sounds? In one word, it’s magnificent! V-Moda headphones have undoubtedly always been about powerful bass. It is powered by a 50mm dual-diaphragm driver and with a frequency response of 5 – 30 kHz, the M-100s once again place the accentuation on bass.
This time however the M-100s produce outstandingly clean and detailed audio contrasted with past Crossfade models. Indeed, even at high volumes, the bass is powerful yet there’s no indication of rattling or distortion. Vocals audio is warm and the soundstage for live performance is stunningly rich in clearness. The M-100s are additionally equipped for passive noise isolation. It will be fair to say that these don’t close out commotion anywhere near to the levels of Bose Quiet Comfort 15 or Sony MDR-NC200D headphones.
The drawback of turning up the volume is that they do leak sound. If you would prefer not to inadvertently share your music you should keep the volume low in public. Overall, the V-Moda Crossfade headphones are gorgeously made and worked to last. The bass is still substantial yet it’s a more pleasurable encounter for the ears than it has ever been previously.
The Grado SR60e is the first in class model in Grado’s Prestige Series. Grado, which is situated in Brooklyn, N.Y., and builds the majority of its items there, has not changed the famous exterior design of the headphones. The Grado SR60e are persistently solid headphones that frequently fall directly into the downright inconvenient territory. Style matters in headphones. Similarly, looks are a major part of them nowadays, and portability implies a lot to people needing to wear a pair to and from work.
It has an extremely particular look. Size-wise, the Grado SR60e show up very like to headphones like Beats Solo 2. They’re on-ear, so not gigantic. Notwithstanding, these are not portable in the traditional way. The cradle for every ear is plastic, the cups, and the backing grates are metal.
They look and feel extraordinary. They connect to the headband with steel rods. The headband itself is firm and inflexible, enveloped by leather-wrapped metal, and looks and feels better. The metal that makes up the skeleton of the headband is incredibly thin as well, just taking up a little part of the padding that lays on your head. Cups actually turn a full 360°, which is a shockingly valuable feature.
SR60e has smooth and normal audio. Nothing is stressed and the bass is unadulterated and unboosted. They have heaps of detail. At 32 ohms, their impedance is sufficiently low to run off a cell phone, although they benefit from a decent amp. It offers by far the best frequency response of any Prestige earphone which is 20Hz-20kHz.
On the drawback, these headphones don’t block external clamor and they additionally leak sound, so they’re not perfect for travelers or cranking your music in an open office environment. Overall, the Grado SR60e are subpar headphones for regular use. They have a better than expected yet sharp sound quality and an open design that gives them a wide soundstage contrasted with most on-ears.